IronCamp Symposium 1 in Haus FeRRUM Ybbsitz

The series of symposia „IronCamp - New Paradigms for Metaldesign and Handcraft“ in Ybbsitz is engaged with the future of metal design and blacksmith handcraft. In its second edition in February 2017 the international and transdisciplinary group treated questions like „What will a blacksmith do in the year 2030?“ and „Why metal and forging?“. The stimulating lecture by the progressive Italian designer Mirko Daneluzzo (NYXO studio) lead the path towards novel technologic-mechanical support of the crafts, and he even coins the provocative term of „cyborg-craft“. The question of roles, and the question of communication between the crafts remain essential.
Structure of the project
The symposium IronCamp is programmed to a series of three parts. IronCamp 1 took place in February 2016, IronCamp 2 was held in February 2017, and the final and third edition shall take place in February 2018 (1). The association „Schmiedezentrum Ybbsitz“ is project promoter and is supported by subsidies of the European Union and the Country Lower Austria (LEADER, LE14-20). Further supporting institutions are the Ring of the European Cities of Iron Works, the Eisenstraße Niederösterreich and the UNESCO.
It is key to the project promoters that metal design and handcraft is addressed qualitatively on multiple levels. And by these means to rise the appreciation of blacksmith craft and demonstrate its future opportunities. Through the UNESCO-title for the intangible cultural heritage „forging in Ybbsitz“ the assignment persists, to carry the lively forging craft into the future.
Each symposium is concentrated to three days of moderated thinking and discussion. During an excursion the experts are brought closer to the local context to also set impetus for discussions. A stimulating lecture provides substrate for the thinking process. The group of thinkers is composed of 10 to 12 international experts from blacksmithing, sculpting, architecture, design, material sciences and art history. Hence there are paradigms for metal design and handcrafts discussed, filtered and rendered visible. The outcomes of the IronCamp symposium can never provide absolute statements. The paradigms can only be filtered from the perspectives of the persons actively involved in the matter. After each of the three symposia follows a publication of the contents. Those contents are provided online (see weblink below), and by this they are available to all interested persons.

Designer Mirko Daneluzzo’s lecture guides the path to a progressive future.

Core statements of IronCamp 2
Two major paths for the future of metal design and handcrafts were filtered within IronCamp 2. In one direction the blacksmith can see himself or herself in a niche market. And he or she can feed a common humane desire to materiality within our age of digitalism. Many other exhibitions, symposia and publications today and worldwide are investigating in the appreciation for the pretendedly vanishing crafts. In this matter the term „innovation“ takes a subordinate role. Because in this direction the metal designer remains merely concerned with traditional techniques of elaboration, and he or she remains content in celebrating the archaic image of blacksmith craft. Hence, this path is a traditionalistic attitude and at the same time the consciousness to the ancient fascination for fire and iron. At that point the blacksmith remains a conservator or even a representational object for the experience of a so to speak ancient technology.
In a second current it is about the factual advancement of the metal designing craft. With the application of technological improvements and novel tools for design, production, and communication every metal designer can thrive back „to the top of technology“(2), and remain true to the original tradition of development within blacksmithing. Tools were always an extension or an amplification of the human hand. In blacksmithing craft this is illustrated by tong and hammer. Within blacksmith craft in early times supporting tools where invented, that where no more guided merely by hand. Consider the tilt hammer or the pneumatic hammer.
The designer Daneluzzo illustrates the leap into the future with a so called exoskeleton and through manipulators, which are used in common industries since decades. Industrial manipulators are controlled like excavating machines and other vehicles through steering modules (levers, steering wheel, …). Exoskeletons are thematized in science-fiction, and they are used already for military application. Their principle is to directly amplify or mirror the capabilities of the human body at various scales. The tool becomes a direct technologic or mechanical extension of human limbs. These new means suggest the term „cyborg“ as a hybrid between man and machine.​​​​​​​

The local context of forging and metal elaboration is being discussed at the excursion.

„Why metal? Why forging?“
The IronCamp-symposium deals less with the „how to“ in metal design, but it raises questions of motivation. At answering the „why“-questions comes to light, that metal designers are being motivated by a strong emotionality for the archaic material. Metal itself still fascinates and convinces in our actual zeitgeist of plastics. It shall have a soul because of its particular qualities in elaboration, for its aging process, and for its manifold possibilities in application.

„What will a blacksmith do in the year 2030?“
Within this question the group of thinkers comes to the point, that the handcraft itself will not change seriously within the next thirteen years. The blacksmith will more and more consider global marketing for his products, and gain knowledge through the ubiquitous media of communication. This already happens via online learning videos, or through online forums, as for example „“ hosted by the german masterblacksmith Peter Brunner. On a local scale the workshop itself as a physical medium remains valid for the creative production. There will be a higher appreciation for the niche „forged products“. Today a majority of people in the western world has no relationship to material qualities in their professional lives. Hence, the desire for the experience of handcraft and the acquisition of handcrafted products will still rise. And if there will be exoskeletons commonly available already by the year 2030, then there will be a hammer swayed within, for a sensitive and direct translation of the motions of a blacksmith.​​​​​​​

Summarizing the outcomes of the symposium in a finalizing press conference.


(1) Persons interested in participating please direct an E-mail including a short motivational text to or until end of Oktober 2017. The selection of the group of experts follows by December 2017.
(2) Architect Franz Sam had met the reasonable statement in IronCamp 1, that the blacksmith was on top of technology a thousand years ago.

IronCamp Symposium 1:

Thomas Hochstädt (AUT), Susanne Rumpl (Logistische Organisation / Logistic Organization), Jadran Stenico (ITA),  Arch. Dipl. Ing. Franz Sam (AUT / Gastvortragender / Guest Speaker), Mag.arch. Joseph Hofmarcher (Kurator / Curator), Dipl. Ing. Josef Lueger (Prozessbegleiter / Facilitator), Prof. Marta Kravchenko (UKR), Arch. Letitia Lopez (URU/AUT),  Georg Kromoser (AUT), Peter Brunner (GER), Alexander Kamelhair (USA), Anton Vadovic (CZE), Nikolaus Frühwirt (AUT),  Mirko Daneluzzo (ITA), Pavel Tovarek (CZE), Bgm. Josef Hofmarcher (Obmann des Vereines Schmiedezentrum Ybbsitz /  Chairman of the association Schmiedezentrum Ybbsitz), Jokum Lind Jensen (DEN)

A group of thinkers in the Haus FeRRUM in Schmiedezentrum Ybbsitz (v.l.t.r.): 

Mayor Josef Hofmarcher (chairman of project promoter Schmiedezentrum Ybbsitz), Josef Lueger (moderator, Austria), Nikolaus Frühwirth (Blacksmith, Austria), Georg Kromoser (material scientist, Austria), Marta Kravchenko (art historian, Ukraine), Joseph Hofmarcher (curator, architectural designer, Austria), Peter Brunner (Blacksmith, Germany), Mirko Daneluzzo (designer, Italy), Johannes Längauer (architect, Austria), Alexander Kamelhair (sculptor, Texas/USA), Letitia Lopez (architect, Uruguay/Austria), Petr Soudek (blacksmith, Czech Republic), Jadran Stenico (sculptor, Italy), Guillermina Moralez (blacksmith, Spain), Ondřej Géla (blacksmith, Czech Republic), Susanne Rumpl (organizer, Schmiedezentrum Ybbsitz), Thomas Hochstädt (blacksmith, Austria).

You may also like

Back to Top